° in the plural unless the composer wrote only one work of the type. ° the accepted form of that name in a language preferred by the agency creating the data. If the application of 6.14.2.3-6.14.2.4 results in a preferred title consisting solely of the name of one type of composition, record: (6.14.2.5) Preferred title consisting solely of the name of one type of composition Remove medium of performance: Quatuor à cordes "Ainsi la nuit"īest practices for music cataloging: For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and not part of the title as defined in this rule.įor pre-twentieth century works with titles such as Duo concertant, Quartetto concertante (but not titles naming a form, such as Sinfonia concertante, Rondeau concertant, etc.), consider the word "concertant" or its equivalent to be an adjective or epithet not part of the original title of the work, and omit it from the preferred title. The placement of the generic information ahead of the distinctive portion does not mean all of the title (statement of medium included) should be retained. What remains:: Sonates & un divertissement Remove number: Cinq sonates & un divertissement See also general guidelines for on recording a title ° adjectives and epithets not part of the original title of the work ° numbers (unless they are an integral part of the title) ° serial, opus, and thematic index numbers ° a statement of medium of performance (even if such a statement is part of a compound word, provided that the resulting word or words is the name of a type of composition) When recording the title chosen according to 6.14.2.3, omit from the title: (6.14.2.4) Recording the preferred title for a musical work » the works are also cited as a numbered sequence of compositions of that type. » all the titles of a composer's works include the name of a type of composition ° Numbered sequence: Use the name of the type of composition as the preferred title if: » a brief title devised by the cataloger. » a brief title by which the work is commonly identified in reference sources ° Long title: If the title is very long, choose (in this order of preference) ° Better known: If the work has become better known by another title in the same language, choose it as the preferred title (see also 6.2.2.4–6.2.2.5). (6.14.2.3) Choosing the preferred title for a musical workĬhoose the composer's original title in the language in which it was presented. If the evidence of modern reference sources is inconclusive, use (in this order of preference): Works created before 1500: Determine the title to be used as the preferred title from modern reference sources. Works created after 1500: Determine the title to be used as the preferred title from resources embodying the work or from reference sources Recording the preferred title for: a musical work (6.14.2.4) | title consisting solely of the name of one type of composition (6.14.2.5) | duets (6.14.2.6) | a part or parts of a musical work (6.14.2.7) | compilations of musical works (6.14.2.8) Sources of information (6.14.2.2) | Choosing the preferred title (6.14.2.3) ° the basis for the authorized access point representing that work. ° the title or form of title chosen to identify the musical work See also recording: medium of performance (6.15) | numeric designation (6.16) | key (6.17) | other distinguishing characteristic of the expression (6.18) The preferred title (RDA 6.2.2) for a musical work is Music Cataloging at Yale ♪ Preferred titlesįor general instructions, see Recording titles of works (RDA 6.2.1)
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